Remembering 2017 Part 2: Getting Lost in Translation

Translation.jpg

As most of my regular readers and friends would know, this last year has been a little crazy for me on the translation front. First of all, I seem to have started a little side-job. Over the past year, around half of my work has appeared on other websites, commissioned by others in the fandom. I know that I probably can’t make a career out of this, and to be frank, I’m not entirely sure I want to. Nevertheless, I’ve learned A LOT with this experience. Not only have I become more careful about double-checking that I’ve gotten the meaning correct, I also push myself to find the right words to convey it. The staff and cast of the shows we love are people too, and I really hope that their personalities come through in my work!

Speaking of which, here’s the latest interview I’ve done: Kajiura Yuki and Takahashi Ryo talking the music of Princess Principal, commissioned by Nachi and co-funded by Canipa, the Pauseandselect community, and JackUTS!

And for the record:
1. Rakugo Shinjuu: Ishida Akira x Hayashibara Megumi, from Febri (one, two)
2. Yuri!!! on ICE: choreographer Kenji Miyamoto
3. Yuri!!! on ICE: Kubo Mitsurou from Spoon.2Di vol.18
4. Yuri!!! on ICE: Kato Taihei, the Bento announcer!
5. Rakugo Shinjuu: mangaka Kumota Haruko
6. Yuri!!! on ICE: Otsuka Manabu from Mantan-web
7. Yuri!!! on ICE: Real-life skaters on the show (one, two)
8. Fujiko Mine: Yamamoto Sayo x Kikuchi Naruyoshi
9. Kizumonogatari: The Making of Kizumonogatari
10. Yuri!!! on ICE: Aria 《Stammi vicino, non te ne andare》

Unfortunately, there was also a downside to my slightly increased presence in the fandom this year. I’ve gotten pushback before, with Macross Frontier and Chihayafuru coming to mind as a comparison. But I can say that this past year has been far more frustrating that either of those other two experiences were. There’s a lot I could say about some of the ‘feedback’ I’ve received or comments I’ve seen about translations I’ve either done or made statements about, but I honestly do not want to revisit any of it. All that matters is that the people whose opinions I care about would back me most of the time; when they don’t, then theirs is the feedback that I take on board. I won’t name them, lest they become targets (they should know who they are), but I am truly grateful to them.

Let me also take the opportunity to thank a few people specifically. Thank you to Josh for starting me down the freelance path back in 2016. Thank you also to Nachi, Canipa, and anyone else who’s ever commissioned something from me, or otherwise contributed to funding an interview I’ve translated. I’m indebted to Frog-kun, Tora and the two offline-only friends who helped me with the interview snippets that I wasn’t 100% sure about. And thank you also to the three translators whose work I checked and edited—whilst you might feel that you gained more from the experience, let me assure you that it was invaluable to me too.

But most importantly, thank you to one of my oldest friends, who believed in me and invited me to be part of something that I will never forget. Interpreting at that event was challenging, and there were definitely moments where I feel I could have done better. But no joke, I’d do it all over again, in a heartbeat.

About karice
MAG fan, freelance translator and political scientist-in-training. I also love musicals, travel and figure skating!

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